The Red Special now inspires a new Seiko 5 Sports watch whose dial echoes the design of the guitar which Brian and his father built in the early 1960s. Seiko celebrates Brian’s creativity and his music with this Seiko 5 Sports watch. Brian commented: “I am delighted to see this watch come alive, and proud that the creation of me and my dad all those years ago has inspired this collaboration. I love my Seiko and it has served me well for many years. I will wear this new one with pride.”
The dial has the same red and black color scheme as the Red Special and features a delicate wood-like pattern like the body of the guitar. Special markings on the case back. The watch is offered as a limited edition with Brian’s signature on the case back and comes with “LIMITED EDITION” and the serial number 0001/9000-9000/9000. The presentation box also contains a commemorative coin that is based on the sixpence that Brian has used throughout his career as a plectrum.
Made in the U.K. and engineered by Brian May’s electronics guru, Nigel Knight, this compact, multi-mode treble booster pedal combines three uniquely-voiced circuits that faithfully replicate Brian’s most recognisable tones from the 1970s, 80s and 90s. The tones representing each decade have been meticulously modelled on the actual vintage equipment used by Brian during each period of his career – his germanium transistor Dallas Rangemaster from the 1970s, the silicon BC149 transistor powered Cornish TB-83 installed on his pedal board throughout the 80s, and an original 1998 Greg Fryer strap booster.
Nigel Knight analysed every nuance of the original circuits to realise an authentic reproduction of their tonal responses and output profiles. This 3-in-1 treble booster provides amateur enthusiasts and professional guitar players alike the opportunity to select the distinctive sound of their favourite Queen era using a switch and level control based on the lathe-turned aluminium control knobs fitted to Brian’s Red Special guitar. Whether you seek to replicate the heavier Queen tracks such as Stone Cold Crazy, the live sounds of the 1986 Magic Tour or explore your own ‘New Horizons’ with Brian’s more recent works, this will be the only treble booster you will ever need. Available now from Brian May Guitars and Knight Audio Technologies:
If you aren’t already aware of Jake Lizzio’s instructional material, I recommend you check out his YouTube channel, Facebook page and website, Signals Music Studio. I have read and watched a lot of information about music theory in recent years but none comes close to Jake’s ability to make this topic accessible and fun. Check it out whether you’re a beginner or an advanced guitar player.
In January 2019, I was very pleased to be able to acquire Guyton RS Transporter #0817154 (No. 9 of 25). I am the instrument’s third owner after it was originally commissioned by Craig Farley of Queen Tribute band Forever Queen. I’ve been unable to see them play live because most of the venues they play at are in the south of England. Check their pages out:
The Guyton RS Transporter was designed by Red Special community stalwart Martin Pitcher and is expertly realised by Suffolk luthier Andy Guyton. It has achieved the distinction of replacing the scalloped fretboard Guyton Red Special as Brian May’s pre-concert warm-up guitar.
https://www.facebook.com/Guyton-Guitars-201657545404/ https://www.guytonrstransporter.com/ In the unlikely event that you’re not already familiar with this guitar, please check out Craig’s unboxing video on YouTube where he makes a significantly better job of demonstrating it than I ever could. The guitar is designed to be a travel variant of Brian May’s original Red Special with woods, neck dimensions, Adeson Tri-Sonic pickups, pickup spacing and controls closely reflecting those of the original instrument. It is obviously headless and makes good use of the JCustom XS tremolo bridge.
Demonstration of Guyton RS Transporter 0817154 (No. 9 of 25) by Craig Farley, lead guitarist with Queen Tribute Band Forever Queen.
The pictures in the gallery below are copyright Andrew Guyton of Guyton Guitars.
The Guyton RS Transporter from Guyton Guitars.
Danny Porter, guitarist from “Burn The Headlines” checking out his Guyton RS Transporter.
Last night (1st November 2018) my wife and I took our son to see the Queen Extravaganza at the Clyde Auditorium (SEC ‘Armadillo’) with an overnight stay at the Glasgow Hilton to celebrate his ninth birthday. Queen Extravaganza is the official Queen tribute band put together by Roger Taylor. The band line up for the current U.K. tour consists of: Alírio Netto (lead vocal) François-Olivier Doyon (bass guitar) Nick Radcliffe (lead guitar) Darren Reeves (keyboards) Tyler Warren (percussion) On the 2018 tour, the band play a large selection of songs from Queen’s Greatest Hits catalogue to packed auditoriums around the U.K. There was a lively atmosphere and an appreciative audience at last night’s concert.
I doubt that Nick ‘Radish’ Radcliffe will remember me, or thank me for posting this image cropped from our whole school photograph in 1987, but he was in the year above me at St Bees School in Cumbria until he left. I remember him distinctly due to an altercation we had in my first year (1985) on Eaglesfield house… Public schoolboys… It’s a small world.
After studying music at Middlesex University, Nick has built a successful career as a respected session and performance guitarist. He has played with Gabrielle and M People and performed in the West End with “We Will Rock You”, “Rock of Ages” “Motown The Musical” and “Jersey Boys”. You can read more about him here: https://about.me/nickradcliffe
See some examples of Nick’s guitar tuition work at FretHub’s website or the Facebook page and YouTube channel:
Collectors of Queen and Brian May gear, merchandise and memorabilia should look out for these quality collectable lapel badges on eBay. Long since discontinued, they measure 2 1/4″ (57 mm) long by 7/8″ (22 mm) wide and are decorated with black and reddish brown colour enamel. The proportions of his famous Red Special guitar and the placement of the hardware are relatively authentic given the small size of the reproduction. The pin badges affix in two places with one pin located behind the guitar headstock and the other behind the guitar body (not visible in the photograph below).
“Here’s my Badge”. Background texture courtesy of John Deacon’s amplifier.
For those readers who are not Brian May enthusiasts, I’d like to draw your attention to this innovation by Nigel Knight of Knight Audio Technologies (KAT): the BM RS Superpot. It is an Alpha brand dual-gang 250 kΩ linear (B) taper potentiometer fitted with a 1 MΩ resistor and a 2.2 nF capacitor. It was designed by Nigel to serve a specific purpose: that is to create a volume potentiometer with a shallower response curve than a standard logarithmic/audio (A) taper to increase the range over which Brian can control the transition from ‘sparkly cleans’ to sweet overdrive while performing on stage. Nigel flew out to Portugal to fit it to the Red Special before the Lisbon Queen + Adam Lambert concert on 7th June 2018. Check out the post on Brian’s Instagram account below:
R. G. Keen’s 1999 article entitled “The Secret Life of Pots” at Geofex.com explains the theory behind modifying the taper of linear potentiometers in an easily assimilable format:
Nigel explains: “When you cascade potentiometers you end up with a super-log pot, so the effective end result is a ‘forced’ log taper. Secondly, because after about halfway round the volume sweep of the RS, the pot is no longer really being used as a volume control, but more of a distortion drive which requires a more linear taper. So the new pot is more log at the bottom and more linear at the top. This allows better control over the cleans and smoother transition through the various stages of distortion. In fact, there is no discernible point where the distortion comes in with this configuration. It just slowly feeds in from the cleans.”
“The function of the capacitor is to compensate for high frequency losses while the resistor is there to pull the bottom leg of the pot to ground. The pot (short for potential divider) can’t ‘divide’ the level if it has no reference to the two points it is dividing between. The new pot gives Brian an array of tones that used to reside within about half a degree of pot movement (if you could find the sweet spot in the dark)”
Nigel has published a diagram of the pot shown in the image above. You can download it here and on the KAT website:
My first foray into the world of Brian May Red Special ownership in 2013 was a model year 2009 BMG Special conversion carried out by an amateur luthier in Portugal. I then further modified the guitar myself including a reshaped pickguard. It played well and looked acceptable. Nevertheless, I don’t recommend attempting conversion work on the commercial Burns and BMG Special guitars yourself. It’s a great deal of painstaking effort and you will still have an attractive but non-authentic deep burgundy red colour guitar which has evidence of the original tremolo system on the back (if cosmetic details concern you).
While unmodified BMG and Burns Brian May Red Special replicas sound authentic played through a BM signal chain and are excellent value for money, if you seek an more authentic instrument, Woody Thomas at RS Conversions in the USA has carried out conversions for a number of satisfied customers:
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