Brian May used Rustins Plastic Coating (RPC) to coat the Red Special. This is a two-part cold cure finish based on urea formaldehyde resins, plasticised with alkyd and reinforced with melamine. The finish is described by the manufacturer as “highly durable, heat resistant, resistant to impact, abrasion and solvents”. For MSDS (Material Safety Data Sheet) purposes it is described as an isobutylated melamine-formaldehyde resin containing isobutanol, xylene, formaldehyde (methanal), 1,2,4-trimethylbenzene, low boiling point naphtha (petroleum) and mesitylene. It is prepared by mixing one part hardener to four parts coating by volume and applied using a brush or roller.
Alternative coating choices are polyester or nitrocellulose, each of which carries their own advantages and disadvantages. Polyester is thick, resistant to wear and tear but does not mechanically or chemically adhere to the surface it is applied to, while nitrocellulose is thin but wears more readily. “Nitro” is generally favoured by guitar aficionados because it is considered to not dampen resonant sustain and will wear more readily to an aged, vintage appearance than a “poly” finish.
There are two principal issues if you choose to use Rustins to lacquer your guitar: the first being that it is not known exactly how many coats Brian originally applied to the Red Special and the second is that difficulties can be experienced with respect to wrinkling or rippling of the finish if the correct method of application is not strictly followed.
Previous revisions of the RPC instruction leaflet stated that “a minimum of three coats is recommended but many more can be applied. Marquetry is often given as many as nine coats. When burnishing to a mirror finish at least five coats are applied”. Brian has commented that he applied “many coats” therefore this information is likely a good hint to the actual minimum and maximum required.
Several users on www.ukworkshop.co.uk forums quote personal experience or advice they received from Rustins’ technical support which confirms the fact that you have to either apply up to three coats within two hours to achieve the window for a chemical bond or wait three to four days for each previous coating to fully harden to achieve the window for a mechanical bond. If additional coats are applied between these windows, they will trap solvent in the hardening mixture which causes it to soften and wrinkle. The ambient temperature affects the curing time and it is likely in U.K. conditions that many people have experienced problems because this was less than the recommended minimum of 20°C therefore previous coating(s) had not fully hardened before more were applied.
On my Brian May Red Special guitar build project, I decided to keep it simple by applying one coat at a time and stored the body and neck in a warm place for a few days to fully cure each individual coat before applying another. The only issue I experienced was small blemishes resulting from air bubbles becoming trapped in the hardened coating. The obvious drawback of this approach is that it will take three to four weeks to fully coat the guitar body based on three days hardening time per coating and application of seven to nine coatings.
I applied the mixture with a good quality wide watercolour brush. If you are considering spraying RPC on a guitar, it will likely require thinning (see the tin of thinners and brush cleaner product pictured below). Since it is intended for application by mechanical contact, I recommend that you consult Rustins’ technical support for advice first and then systematically prepare and test mixtures with different proportions of thinner.
I bought two packs of RPC in July 2017 for the Red Special replica build project: a 250 ml pack and a 1 litre pack (both are pictured below). I found that I only needed the 250 ml pack (which makes 312 ml of mixture when the hardener is added) to coat the entire guitar and the 1 litre pack was never opened. In October 2021 I assembled all the original products I used for the veneering, grain filling, staining and lacquering phases to record a video demonstrating these techniques. I found that the liquid in the 1 litre pack of RPC had turned a darker yellow hue and appeared to be more viscous. In addition, the plastic container was squashed in as if the air in the volume above the liquid had been sucked out. I contacted Rustins’ technical support who are very helpful and usually reply within a day of e-mailing them to find out if the product was still usable. They advised that the product had lost its solvent and should be discarded. It’s worth considering that the solvent can somehow escape from a closed and sealed container over time but no shelf life is quoted on the product packaging or instructions for use so far as I can tell.
I illustrate and discuss all the above information in the 42 minute long video below which demonstrates making up batches of RPC, applying it to mahogany veneer, flatting back with graded abrasive papers then burnishing/polishing to a gloss finish.
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