I have collaborated with renowned Scottish-Italian guitarist Will Barbero to produce my latest video about the rarest and most spectacular of the Brian May Red Special guitar variants, the 12/6 double neck.
The video’s duration is around 16 minutes and with Will’s assistance to skillfully demonstrate both the twelve string and six string necks, we showcase a custom guitar commissioned by Mark Tolcher from Liverpool in the U.K. from Raymon Guitars in Spain:
Will spends a lot of his free time meticulously analysing and recreating Brian’s recorded guitar parts on Queen album tracks and has made a superb series of YouTube videos on this topic. Please support his work by liking and commenting on his videos, subscribe and follow him on Facebook:
The embedded video is part two of my highlights package of the 2024 U.K. Brian May Red Special enthusiast meet-up held at the Holiday Inn Reading West in Berkshire and primarily features the guitars and musical equipment. Part 1 covers a selection of video clips of Brian’s time with us:
The event was hosted by Jon Underhill of The Red Special Guitar podcast and his team of assistants including Paul Cottrill, Steve McCulla, Matt Netherwood, Jonathan Planner and Luke Timmins, guitarist in the Supreme Queen tribute band. The theme was a 60th birthday celebration for Brian’s original Red Special which he completed in October 1964.
Attendees included co-author of the Red Special book, renowned music journalist Simon Bradley, Nigel Knight of Knight Audio Technologies, Andrew Morgan of A Strings, Wales’s premier independent retailer of guitars, amplifiers and effects, Rafa Diaz guitarist with the Magic Queen tribute band, artist Sarah Rugg and classical guitarist and host of the Fret Not podcast, Rosie Bennet.
The event had been held at Theale Village Hall, four miles away since 2017 but Jon and his event team sought a new venue to accommodate increased popularity and to separate the customary band section from the quieter day activities.
Doors opened at 10.00 a.m. allowing people time to mingle, chat and browse the guitars and equipment on display before several talks and demonstrations in the morning session. Souvenir merchandise including various stickers and badges from businesses and enthusiasts associated with the community were provided in a Star Wars themed goodie box. Exquisitely detailed commemorative sixpence coins were produced to celebrate the occasion.
There were many Red Special guitar variants on display including Brian May Guitars Specials in various finishes and custom versions built by both amateur and professional luthiers. These included a double neck made by Raymon Guitars of Spain, a 1993 Guild and a Guyton RS Transporter. Let’s take a look at some of these exquisite instruments.
A raffle of donated items raised a considerable amount of money for the Save Me Trust and Prostate Cancer U.K charity. There were some superb and valuable prizes on offer this year including a BMG ukulele and Queen I boxed set both signed by Brian himself, books, magazines and artwork by Sarah Rugg, a KAT Studio-One amplifier donated by Nigel Knight, effects units including amplifier attenuators donated by various enthusiasts.
After lunch, we watched a video compilation of photographs from previous meet-up events since 2017 with video messages from various enthusiasts on what the Red Special meet-ups and community mean to them. Afterwards, Jon dropped a bombshell on us. A very special guest had arrived… Dr Sir Brian May. Not only that, but guitar technician Steve Prior was looking after the object of our interest, the original Red Special guitar.
Jon had Brian as his guest in episode 20 of The Red Special Podcast in November 2022, maintained a dialogue then subsequently invited him to attend the meet-up to witness for himself how much we celebrate his guitar as a piece of Britain’s musical heritage.
One triple heart bypass operation and a stroke later, Brian found the time and energy to visit us. He did not confirm that he would attend until around lunchtime of the meet-up so it was a surprise to everyone. He lost some mobility in his arm as you might have read on social media and had not played guitar for about two months until today.
Steve Prior was on loan from David Gilmour’s stint at The Royal Albert Hall for guitar technician duties until Pete Malandrone returns to work. He managed to guard the revered original Red Special but still allow many of us to hold it, photograph it and compare our own Red Special guitars with it.
This YouTube video covers the evolution of the electronic circuit in Brian May’s Red Special guitar from the original 1964 build to the current state which dates from 2018. I focus primarily on the potentiometers and treble cut capacitor and also talk about the aluminium lathe turned control knobs and the original Bulgin/Radio spares 1/4″ jack socket.
I discuss how you can modify a vintage TCC Metalmite CP33N capacitor by removing the electrolyte and inserting a modern polyester Vishay item in the same manner as the Gibson heritage ‘bumblebee’ capacitors. I finish by showing you the KAT RS Superpot and discuss what factors you should consider before deciding to fit one to your guitar.
Please check out my highlights package of the 2023 U.K. Brian May Red Special enthusiast meet-up on Saturday, 7th October 2023 and read the full report illustrated with 25 photographs here: https://dsgb.net/events/tvh2023/
Attended by 60-70 enthusiasts, the event has been held at Theale Village Hall near Reading in Berkshire since 2017. The theme of this year’s meet-up was “Good Company” which reflects the friendliness, trust and respect in the global Brian May enthusiast community.
To celebrate twenty years of working with Brian May, Andrew Guyton brought three guitars never seen or rarely seen in public: the spade, the 12/6 doubleneck and scalloped fretboard guitars. He also exhibited the “Badger” semi-acoustic and three customer guitars based on the original Red Special including Pete Malandrone’s semi-acoustic archtop and Nigel Knight’s heavily customised Ruby Special. These were all demonstrated by Luke Timmins, lead guitarist with the Supreme Queen tribute band using his KAT Brian May live rig.
Many other Red Special guitar variants were on display which had been made by amateur and professional luthiers in addition to custom guitar hardware and musical equipment including Deacy amplifier replicas and various Vox AC30 amplifiers.
This video introduces you to some of the main settings that Brian May uses on his TC Electronic G-Major 2 digital effects processor units when playing Queen songs live so you can reproduce them for yourself with the same or similar equipment. It includes pictures of Brian May’s KAT touring and guesting mini rig at Allerton Hill and my ex Andy Barnett KAT Brian May rig being set up and tested by Pete Malandrone at Allerton Hill in June 2013 as well as Brian’s TC Electronic G-Major 2 global settings and user presets. You can read more about all the content featured in this video and download the settings in Adobe PDF format here:
Credits to Nigel Knight and Pete Malandrone for the pictures taken at Brian’s equipment store at Allerton Hill featured in this video. I have a standing agreement with Nigel to reproduce KAT media with appropriate credit. Thanks to other Red Special enthusiasts for validating and publishing G-Major 2 settings in the public domain including Luke Timmins (guitarist with U.K. based Queen tribute band Supreme Queen), Iain Angell, Pete Michalowski and Mark Reynolds.
In my latest YouTube video I explain how treble booster effects pedals work and why you need one if you want to emulate Brian May’s distinctive Queen live and studio tones. I show you eight variants associated with Brian May then assemble a KAT Treble Booster Plush kit. The video duration is 16m 41s and is divided into two parts and thirty chapters.
In part two of a series of three videos about making a replica of Brian May’s legendary Deacy amplifier, I unbox the Knight Audio Technologies (KAT) custom kit of electronic components and assemble it, discussing the characteristics of key components such as the transformers as I progress. The video duration is 21 minutes.
In part one of a series of three videos about making a replica of Brian May’s legendary Deacy amplifier, I briefly discuss the origins of the Deacy amp circuit (salvaged from a vintage transistor radio that John Deacon found in a London dumpster in 1971) and what Queen tracks Brian used it to record on. I then move on to talk about the new Knight Audio Technologies (KAT) amplifier board kit and the other component parts required including suitable vintage and modern woofer and tweeter loudspeakers and the cabinet itself. I finish by introducing the only official Deacy amplifier replica which was made by Knight Audio Technologies between 2011 and 2019.
The annual meet-up for enthusiasts of Brian May’s music and equipment was once again held at Theale Village Hall near Reading in Berkshire, U.K. on Saturday, 8th October 2021. The organiser, Jon Underhill, assisted by several other co-ordinators this year helped grow the event by increasing the numbers attending and stage-managing a series of talks and demonstrations. These included Martin Pitcher covering Brian’s Starlicks set-up, talks by Arielle and Queen’s Sound Engineer Justin Shirley-Smith and a 25th birthday present by Andy Guyton to Luke Timmins of his Guyton Time Warp Red Special. A raffle for some superb donated items including a KAT BM Mini Rig and a KAT Groundbreaker raised £530 for the Save Me trust. Click the link below to see additional content on the events section:
In late 2020, I was offered the opportunity to acquire a Brian May style live rig originally built for Andy Barnett by Nigel Knight of Knight Audio Technologies (KAT). The rig was contained in an SKB roto-molded 6U shallow rack case (model 1SKB-R6S) and consisted of the following 19″ rack units:
Custom made KAT audio routing and MIDI switching master controller (1)
Custom made KAT wireless receiver switcher (1)
Canford power supply unit (1)
The rig was designed to work with a custom made KAT 24 way floor switching unit with amplifier muting and MIDI/effect pedals switching features. Also included was a KAT RED-18 strap mounted treble booster and all ancillary items including two Sennheiser EW 500 G2 bodypack transmitters and various heavy duty professional cables (some custom made) to connect all the units.
I bought a second G-Major 2 unit from a U.K. eBay seller for £150 as a spare in case the supplied unit developed an unrepairable defect in the future. To house the units, I ordered a custom made shock-mounted 19″ rack flight case with removable front and rear covers and top lid with a wheeled trolley from NSP Cases (The Flight Case Company) in the U.K. The YouTube video below illustrates unboxing, assembly, connecting and powering up the rig. Also featured in the video are my home made Brian May Red Special replica, KAT Deacy replica amp and 2001 model Vox AC30 TBX amplifier.
Brian May rig replica build video
The six edited photographs in the gallery below were taken by Nigel Knight on 13 June 2013 in Brian’s equipment store at Allerton Hill and show his technician Pete Malandrone testing the components through Brian’s amplifiers and programming the TC Electronic G Major 2 effects processor.
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